French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.  Related Paintings of Henri Fantin-Latour :. | The Temptation of St Anthony | Still Life 5 | Vase of Peonies | Stilleben mit Pfirsischen | Still Life, |
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Mihaly Zichy
(Hungarian pronunciation: [ˈmihaːj ˈzitʃi]; German: Michael von Zichy; October 15, 1827, Zala, Hungary - February 28, 1906, St. Petersburg, Russia) was a Hungarian painter and graphic artist. Mihely Zichy was a significant representative of Hungarian romantic painting. During his law studies in Pest from 1842, he attended Jakab Marastoni's school as well. In Vienna he was Waldmeller's pupil in 1844. "Life Boat", his first major work, comes from this time. On Waldmeller's recommendation, he became an art teacher in St. Petersburg. He swore allegiance to freedom by painting the portrait of Lajos Batthyeny, the first Hungarian prime minister, in 1849. From 1850 onwards, he worked as a retoucher, but he also did pencil drawings, water colours and portraits in oil. The series on the Gatchina hunting ordered by the Russian tsar raised him to a court artist. He founded a society to support painters in need. "Autodafe" on the horrors of Spanish inquisition was painted in 1868. He travelled around Europe in 1871, and settled down in Paris in 1874. He painted "Queen Elisabeth is Laying Flowers by the Coffin of Ferenc Deek" on Treffort's order. "Drinking Bout of Henry III", his next large scale picture came from 1875. "The Victory of the Genius of Destruction" painted for the Paris Exhibition was banned by French authorities because of its daring antimilitarist message. He left Paris in 1881 and returned to St. Petersburg after short stays in Nizza, Vienna and Zala (village). From this time onwards, he was mostly engaged in illustrations ("The Tragedy of Man" by Made - h, 1887, and twenty-four ballads of Jenos Arany, 1894 - 98).
Jean-Francois Portaels
(3 April 1818 - 8 February 1895) was a Belgian orientalist painter and director of the Academie Royale des Beaux-Arts in Brussels. Portaels was born in Vilvoorde. His father, a rich brewer, sent him to study at the Royal Academy, whose director, François Navez, took him on soon after in his own workshop. About 1841 Portaels went to Paris, where he was well received by Paul Delaroche. The Rose VendorAfter his return to Belgium, he won the Grand Prix de Rome in 1842. He then travelled through Italy, Greece, Morocco, Algeria, Egypt, the Lebanon, Judaea, Spain, Hungary and Norway. On his return to Belgium in 1847 Portaels succeeded H. Vanderhaert as Director of the Academy in Ghent. In 1849 he married the daughter of his first teacher, Navez, and in 1850 he settled in Brussels; but when he did not get the post of director of the Brussels academy, and wished, nevertheless, to carry on teaching as his father-in-law had done, he opened a private studio-school, which became one of great significance in the development of Belgian art. Once more he went on his travels, spending time in Morocco; he returned to Brussels in 1874, and in 1878 became Director of the Academie Royale des Beaux-Arts which had so long been the object of his ambition. He died in Schaerbeek.
Seymour Joseph Guy
1824-1910